Charlotte Gainsbourg as Joe in Lars von Trier's Nymphomaniac. For a project that initially began as a joke-or so thought Charlotte Gainsbourg-Lars von Trier's Nymphomaniac Volume I and Volume II easily became some of the most anticipated foreign films of the year. Kirsten and Charlotte want a really hardcore film, and I'm going to do my best. Gainsbourg and co-star Stacy Martin take turns at playing the older and younger Joe, a self-described nymphomaniac she doesn't go for the more P. In the first installment, Joe Gainsbourg is helped by a kindly man, Seligman Stellan Skarsgar after he finds her injured on a dark street. At his home, Joe relates her travails as a sexualized youngster, an adolescent, and eventually a young adult. Volume I is dominated by Stacy Martin as Joe, with only occasional glimpses of Gainsbourg speaking with Seligman.
Where Volume I is peppered in fairly equal measure with dark humor and just plain darkness, Volume II veers more decidedly on the macabre.
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Joe's sexual addiction wreaks havoc on her marriage and her relationship with her young son. Joe must find sexual satisfaction away from her husband Shia LaBeouffinding her in the company of a host of men, including a sadist, played unnervingly and somewhat humorously by Jamie Bell.
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Gainsbourg sat down with a small group of journalists, including FilmLinc Daily, ahead of the rollout of Volume I last month. The Anglo-French actress spoke of her character's struggle, both internal as well as external, including the hypocritical way society treats sex addiction when it comes to men vs.
And of course, Lars von Trier was a major topic. Gainsbourg explained how she believes he knows her well, though she questions how well she understands the controversial Danish director even as she's become a frequent presence of his films.
In Nymphomaniac: Volume I and Volume IIshe knows she's playing him-or at least an ct of him. Joe Gainsbourg speaking with Seligman Stellan Skarsgard in Nymphomaniac.
What do you think your character believes about her addiction? Some think it's a disease and others think it's an excuse for bad behavior.
I think she wants to take the blame. Throughout the film she's trying to expose her bad behavior and to convince Seligman that she's an offense and responsible for all the suffering she's going through.
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But at the same time, during the chapter where she goes through the addiction therapy, she comes out of it saying how proud she is of being a sex addict and making fun of all the group therapy that she's been forced into. I think she's a very proud and stubborn woman, but at the same time I don't have much to say about her sex addiction.
Of course she's going through all the frustration and appetite she's experiencing because she's not able to have enough sex. The film for me is about a woman and the voyage she's making to know about herself and what she's saying about society and not being able to live in this society and wanting to take the blame-but there's love and a lot of subjects there too that are not directly related to the nymphomania.
Charlotte Gainsbourg as Joe in Lars von Trier's Nymphomaniac. For a project that initially began as a joke-or so thought Charlotte Gainsbourg-Lars von Trier's Nymphomaniac Volume I and Volume II easily became some of the most anticipated foreign films of the year. Von Trier first hinted at Nymphomaniac at the Cannes Film Festival during a hair-raising
What did you think about the character the first time you read it and how did you work with Lars to become Joe? But then afterward he sent me a synopsis that was very close to what has now become the film.
It was divided into chapters and already there's this conversation going throughout with Seligman and having two very opposite characters.
So I knew the subject of the film. Lars sent me this huge script and I was very attracted to it. I didn't know all the digressions Seligman was going on about or all the other parts.
I was very attracted to the character even though she's very far from me. She's very negative about society.
I don't feel close to what she says but at the same time I feel a lot of empathy for her. She touches me. And at the end she has made a voyage and copes with herself and there's a real understanding of who she is by the end of the film.
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But yeah, she touches me a lot. I'd love to be a muse for him.
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I know he puts himself into all the characters I've played, though in Melancholia I think he was putting himself much more into Kirsten's character. But in Antichrist and in this one, I definitely think I was playing him.
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Seligman too is a different ct of him, which make the conversations so rich having two opposite minds together. But I don't know why me in particular.
I don't know if he knows anything about my background. For Antichristhe picked me because another actress had dropped out and I thought it was a great chance. Of course I've gotten to know him, but he's still very mysterious today.
I think he knows everything about me, but I don't know much about him. He touches me a lot.
There's a lovely friendship that's happened now of course. I can't explain what he knows of me though and why he chose me.
These three characters you've played for him, what sets them apart for you creatively? The characters go so far into suffering and depression. The piece then offers question-and-answer-based advice from the research psychoanalyst and author Paul Joannideswho has published a book on sexuality called The Guide To Getting It On! He goes on to explain the health risks of anal sex, how to modify the anal sex seen in porn, how to make sure your anal experience is a positive one and what should we be telling our children about anal intercourse.
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